AMHS members were treated to a very interesting and informative virtual talk on July 31, 2022, by distinguished guest speaker Daniel A. Piazza, who discussed an important historical period of Italian stamps, namely the Fascist era from 1922 to 1941.

Dan has been the Chief Curator of the Smithsonian’s National Postal Museum since 2014.  He is responsible for exhibitions, acquisitions and research related to the museum’s collection of six million postage stamps and postal artifacts comprising one of the largest such collections in the world.

As Chief Curator, his exhibitions have included “Freedom Just Around the Corner:  Black America from Civil War to Civil Rights,” which won the 2016 Smithsonian Research Prize. A few of his other exhibitions were on Alexander Hamilton, on 100 years of the national parks, and on the world’s most famous stamp (in case you’re wondering, it’s the British Guiana One-Cent Magenta).

Dan earned his Masters in American history from Syracuse University, where he also taught history courses and was a Fellow in the university library’s rare book collection.  He lectures widely and contributes to many philatelic journals and collector periodicals.  He is also a member of several national and international philatelic societies including the prestigious Royal Philatelic Society of London.

Dan told us that his father’s side of the family is from Agrigento, Sicily, and his mother’s side of the family has roots in Catanzaro (Calabria), Genoa and Friuli.

One of the interesting things we learned from Dan is that despite its name, over half of the material in the National Postal Museum is international.  The museum opened to the public in 1993. 

Dan also talked about the most famous Italian stamp artist Corrado Mezzana, who designed stamps for the Fascists and the Vatican at the same time.  Dan explained that great stamp artists such as Mezzana have a knack for combining pictures and text in a very small space, and so their services are much in demand.  He noted that one of Mezzana’s last sets was Italia al Lavoro in 1950, featuring traditional crafts of all 20 regions of Italy.

The first Fascist stamps were issued within a year of Benito Mussolini’s March on Rome in October 1922, and Dan said you can trace the development of the propaganda beginning with the Fiume D’Italia stamps, including a stamp of the controversial Abruzzese poet Gabriele D’Annunzio.  Dan noted that the sale of these stamps basically funded their operations.

The consistent themes of the Fascist stamps were pioneered with the Fiume stamps, he noted, including the use of allegorical or historical imagery, and the use of Latin inscriptions. These were not features of Italian stamps prior to the Fascist era, he explained.

The Fascist stamps that debuted in 1923 featured a blending of futurism, art deco and the styles of the 1920s and 1930s.   Dan said one of the stamps which added on a cost above the normal price was sometimes referred to as the “Blackshirt pension plan.”

In 1932 on the 10th anniversary of the March on Rome, Mezzana designed stamps very important to the Fascist regime having the theme of Romanità, meaning the political and cultural concepts and practices by which the Romans defined themselves.

Mezzana wasn’t a fascist, Dan explained, but rather he worked on stamp contracts and he used his talents to design Vatican stamps as well.

The stamps of the period also depicted the transatlantic liner Rex which brought many immigrants to America, and Dan noted that Mussolini referred to Italian-American communities in America and Argentina as “colonies.” 

Interestingly, Dan explained that Mussolini seldom appeared on stamps, unlike Hitler and Franco, because it might not have been popular with the Italian public and he still had to deal with King Victor Emanuel III.  Over time, however, the stamps became more militaristic, and aircraft were often depicted.

Dan noted that the Fascists did have religious stamps to placate the population, although Mussolini himself was not religious.  For the first time, there was a stamp depicting Jesus, but as Dan explained, it was seen as a “smokescreen” masking hostility to religion. 

In 1941, Hitler and Mussolini appeared on a stamp together.  The Fratellanza d’armi italo-tedesca stamp even featured a Nazi swastika. 

Stamps were also issued for Italian East Africa (Somalia, Ethiopia and Eritreaa).  The basic idea of the Fascist stamps was two-fold — as propaganda and as a way to get money from collectors.

Dan noted that there is no Italian philatelic society in the United States, and he speculated that it was probably because of the past connection to Fascism. In Italy in 2019, there was an attempt to ban Fascist imagery, including stamps, but this was not enacted.  He noted that there is a lot of interest in philately in Italy and there are many active philatelic societies. He was asked about the possibility of a U.S. stamp honoring Constantino Brumidi, often called the “Michelangelo of the Capitol” who was awarded a posthumous Congressional Gold Medal in large part through the efforts of our late AMHS member Joe Grano.  Dan suggested organizing a group effort to write to the Citizen’s Stamp Advisory Committee at their website, since the committee makes recommendations to the Postmaster General on stamp subjects.

September/October 2022

Carlo Tresca

Carlo Tresca was born in the town of Sulmona (population 24,221 in the 2017 Census) in the province of L’Aquila in Abruzzo on March 9, 1879. After graduation from high school and a year in the seminary, he went to work for four years as a secretary for the Italian Federation of Railroad Workers.  He also became the editor of Il Germe (The Germ), a socialist weekly newspaper based in Sulmona.  In 1904 when he was 25, Tresca was convicted of libel based on his report about the torture of prisoners in the local jail.  To evade prison, he immigrated to the United States and settled in New York City.  His wife and young daughter soon joined him there.

Also in 1904, Tresca was elected Secretary of the Italian Socialist Federation of North America (ISFNA) and became editor of Il Proletario (The Proletarian).  In 1907, he resigned as editor and began publishing his own newspaper, La Plebe (The Plebian).  He soon moved his newspaper to Pittsburgh where he espoused socialist ideals to Italian-American miners and mill workers.  In 1909, he closed his newspaper in Pittsburgh, became a U.S. citizen, and started another newspaper, L’Avvenire (The Future), back in New York City.

In 1912, Tresca quit the ISFNA and joined the Industrial Workers of the World.  He became involved in various strikes, first by textile workers in Lawrence, Massachusetts, in 1912, again by textile workers in Little Falls, New York, also in 1912, then by hotel workers in New York City in 1913, by silk mill workers in Paterson, New Jersey, also in 1913, by miners in Colorado in 1914, and again by miners in the Mesabi Range of Minnesota in 1916.  In Minnesota, Tresca was arrested for murder and jailed for nine months but was eventually released without going to trial for lack of evidence tying him to the crime.

With the entry of the United States into World War I in April 1917, his newspaper was suppressed under the Espionage Act.  Tresca then became a frequent speaker at anti-war rallies.  After the war ended in November 1918, he started another newspaper, Il Martello (The Hammer). When the American Civil Liberties Union was formed in early 1920, he became a member.  In August 1920, he organized a successful picket of British ships by dock workers to protest the arrest of an Irish doctor after Ireland had gained its independence from Great Britain.

During this incident, Tresca met an Irish-American political activist, Binna Martin, with whom he began an affair.  When his wife learned about the affair, she left him and took their daughter with her but did not divorce him.  Tresca and Martin had a son, Peter Martin, who was born in early 1923.

After the birth of his son, Tresca allowed an advertisement for a birth control pamphlet to be printed in his newspaper.  As a result, he was arrested in August 1923 and found guilty of publishing pornography after a trial two months later.  The verdict was affirmed on appeal on November 10, 1924.  Tresca entered the federal penitentiary in Atlanta, Georgia, on January 5, 1925, to serve his sentence of one year and one day.  He was released on January 6, 1926.

Tresca returned to his newspaper to publicize and raise funds for the appeal of Nicola Sacco and Bartolomeo Vanzetti of their death sentence for the murder of two men in Massachusetts.  He continued his efforts until Sacco and Vanzetti were executed on August 23, 1927.  Tresca then turned the attention of his newspaper to making anti-fascist attacks against Benito Mussolini in Italy and anti-communist attacks against Joseph Stalin in the Soviet Union.  When the Spanish Civil War erupted in 1936, Tresca supported the republic against the fascist forces of General Francisco Franco. 

In 1937, Tresca was appointed by the governor of New York to be a member of the Dewey Commission which cleared Leon Trotsky of all charges made during his sham trial in Moscow.  In early 1938, Tresca as editor accused the Soviets of kidnapping Juliet Stuart Poyntz to prevent her defection from the Communist Party USA because, before she disappeared, she had talked to him about “exposing the communist movement”.

After communism was discredited in the United States when Stalin signed a nonaggression pact with Nazi Germany under Adolph Hitler in August 1939, Tresca began to direct his editorial attacks against the Mafia in New York City.  The withering fire of his critical public campaign drew the attention of law enforcement to focus on the Mafia.  On January 11, 1943, Tresca was near his newspaper office crossing Fifth Avenue at 15th Street on foot when a black Ford pulled up beside him.  A short, squat man in a brown coat jumped out and shot Tresca with a hand gun in the back of the head, killing him instantly.  He was two months shy of his 64th birthday.  An investigation later determined that Tresca was killed by a parolee, Carmine Galante, on the order of Frank Garofalo, under boss to Joseph Bonanno, who headed a New York crime family.  No charges were ever brought because of insufficient evidence.

Sources, all accessed July 25, 2021:

• Salvatore J. LaGumina et al., The Italian-American Experience: An Encyclopedia at pgs. 640-641 (Garland Publishing, Inc. 2000)
• https://en.wikipedia.org/wiki/Carlo_Tresca
• https://en.wikipedia.org/wiki/Sulmona

Virgilia D’Andrea

Virgilia D’Andrea was born in Sulmona (population 24,221 in the 2017 Census) in the province of L’Aquila in Abruzzo on February 11, 1888. Both her parents died when she was six, so her relatives enrolled Virgilia in a Catholic boarding school in the town. During her education, she read hundreds of books, developing an affinity for poetry. She remained in the boarding school until she was 18 when she qualified as a teacher. She taught in different elementary schools in Abruzzo for the next ten years.

In 1917 at the age of 29, she met an anarchist journalist named Armando Borghi at a meeting of a radical trade union which he headed. He was six years her senior. They became companions, then lived together. Although a free love advocate, D’Andrea maintained a monogamous commitment to Borghi throughout her life. During that same year, she left teaching to join the protest movement against Italian participation in World War I. The couple was subjected to house arrest and legally confined until the war ended in November 1918.

Between 1918 and 1922, she gave talks and published a number of poems in Avanti! which was the newspaper of the Socialist Party in Rome.  In 1922, she published her first book entitled Tormento which was a collection of 19 poems written in rhyme. Her poems reflected the tension of social protest prevalent after the war and expressed her angst in the wake of political defeats dealt the workers’ movement. The book was well received and a total of 8,000 copies were sold.

After Mussolini’s March on Rome in October 1922, D’Andrea and Borghi started to receive death threats, so they decided to emigrate from Italy. They first went to Berlin, Germany, in 1923, then to the Netherlands in 1924, and finally to France in 1925. While living in Paris, D’Andrea published her second book entitled L’Ora di Marmaldo (The Hour of Marmald) which was a volume of poetic prose attacking fascism.

In the Fall of 1928, D’Andrea and Borghi immigrated to the United States and settled in Brooklyn, New York.  In 1929, a second edition of Tormento was published in Italy. It was immediately seized by the fascist government of Mussolini who charged that it inspired revolt because it “excited the spirits”.  Citing her advocacy of free love, the government then charged D’Andrea in absentia with “reprehensible moral behavior”.

During the next four years, she gave speeches and conducted lecture tours across the United States to help rejuvenate Italian-American labor groups.  In doing so, she connected emotionally with her working-class audiences. However, she developed breast cancer and died in New York City on May 12, 1933, three months after her 45^th birthday. Borghi was at her side when she died.

Before the year was over, Borghi had her collection of unpublished writings, including poetry, prose, and autobiographical memories, printed in her third and last book entitled Torce Nella Notte (Torches in the Night). It was her most successful work. In 1946 after World War II ended, Borghi returned to Italy where he lived unmarried for the rest of his life.

Sources, all accessed July 21, 2021:

• https://en.wikipedia.org/wiki/Virgilia_D’Andrea
• https://www.katesharpleylibrary.net/8sf86b
• https://attackthesystem.com/2021/05/29/betrayal-vengeance-and-the-anarchist-ideal
• https://libcom.org/history/borghi-armando-1882-1968
• https://en.wikipedia.org/wiki/Sulmona

Arturo Giovannitti

Arturo Giovannitti was born on January 7, 1884, in Ripabottoni (population 4,937 in the 1881 Census) in the province of Campobasso in Molise.  He was the oldest of three sons born to Domenico Giovannitti, a pharmacist, and his wife, Adelaide Levante. After he finished high school, he immigrated in 1901 to Canada to study in a Presbyterian seminary where he learned English and French.  He then transferred to McGill University in Montreal to complete his courses in theology. 

In 1905, he came to New York City to study further at the Union Theological Seminary and briefly at Columbia University, but he did not graduate.  Due to a lack of funds, he quit his studies and started to assist rescue missions for Italians in Brooklyn where he was appalled by the poor conditions of the immigrants.  Determined to assist them, he gave up his quest for the ministry and started working in 1907 with Carlo Tresca on La Plebe (The Plebian), a socialist journal.  In 1908, he joined the Italian Socialist Federation of North America.  His first workers’ poem was published in the May Day issue of Il Proletario (The Proletarian) which was the Italian newspaper of the Industrial Workers of the World (IWW).  In 1911, he became the editor of the newspaper.

On January 1, 1912, in accordance with a new state law, the textile mills of Lawrence, Massachusetts, posted new rules limiting the hours of workers to 54 per week, down from 56.  When employers did not adjust wages up to compensate for the two lost hours, a strike occurred.  On January 12, the IWW Local 20 called for Joseph Ettor (born Giuseppe Ettore) to come to the city to lead the strike.  Ettor then called Giovannitti to come to help with relief efforts.  Upon his arrival, Giovannitti gave his most famous address, The Sermon on the Commons, which modified Jesus’s Beatitudes to more aggressive stances.  On January 29, a 16-year-old picketing striker named Anna LoPizzo was shot and killed during a police crackdown on an unruly crowd of workers.  An Italian, Joseph Caruso, was arrested and jailed for murder.  Although Ettor and Giovannitti were three miles away, they were arrested and jailed for inciting a riot.  While in jail, Giovannitti wrote many poems.  The most famous was The Walker inspired by the footsteps of a prisoner pacing in a cell above him at night.  The trial began in Salem on September 30, 1912, eight months after their arrests.  There were 19 defense witnesses who testified that the shooter was a policeman, not Caruso.  Ettor and Giovannitti both delivered their own closing statements at the end of the almost two-month trial.  Giovannitti’s speech brought many in the gallery to tears.  After three days of deliberations, the jury acquitted all three defendants on November 26, 1912.

The trial had been followed closely by the press throughout North America and Europe.  As a result of his newfound fame, Giovannitti returned to his work as an editor, became a U.S. citizen, avoided involvement in strikes, and published his first book of poems, Arrows in the Gale, in early 1914.  In reaction to the start of World War I later that year, he wrote an anti-war play called As It Was in the Beginning which had a short Broadway run in 1917.  After the war was over at the end of 1918, his mother wrote to him to tell him that both his brothers had been killed in battle.  This tragic news depressed him so much that he began to drink heavily.  Nevertheless, between bouts of depression and drinking, he began to travel around the United States urging workers to join the IWW because it was an amalgamated union of all races and nationalities.

After Benito Mussolini seized power, Giovannitti helped to organize the Anti-Fascist Alliance of North America in 1923 and was elected Secretary.  He then married Carrie and had three children who they named Roma, Vera, and Lenin.  He traveled for years to speak before Italian-American workers about the dangers of fascism.  When the United States entered World War II in December 1941, he sharpened his focus on his anti-fascist activities.  In 1943, he gave the eulogy at the funeral of his friend, Carlo Tresca, who had been shot by a mafioso in New York.

In 1950 at the age of 66, Giovannitti was stricken by neuropathy, a vitamin B deficiency, not fully understood at that time, which resulted in the paralysis of both of his legs below the knees.  Consequently, he returned to writing and published a collection of his Italian poems in a book entitled Quando Canta il Gallo (When the Rooster Sings) in 1957.  He was editing a collection of his English poems when he died in the Bronx on January 31, 1959, about three weeks after his 75^th birthday.  These English poems were published posthumously as The Collected Poems of Arturo Giovannitti in Chicago by Clemente & Sons in 1962.

Sources (all accessed December 12, 2021):

• Salvatore J. LaGumina et al., The Italian-American Experience: An Encyclopedia, at p. 268 (Garland Publishing, Inc. 2000)
• https://en.wikipedia.org/wiki/Arturo_Giovannitti
• https://www.italyheritage.com/great-italians/history/giovannitti-arturo.htm
• https://en.wikipedia.org/wiki/Ripabottoni

September/October 2022

Baseball at the National Postal Museum

AMHS is pleased to offer an opportunity for a guided tour of the National Postal Museum’s baseball exhibit on Sunday afternoon, October 2, 2022. The free tour will be given by the museum’s curator, Daniel A. Piazza, who recently gave the AMHS a virtual talk on Italian stamps (see related article on page 3).

The exhibit will feature stamps and artifacts including those of Joe DiMaggio and Yogi Berra, and it explores the surprising ways that baseball and postal history have been deeply intertwined since the early 20th century. Visitors will see a treasure trove of historically significant game-worn uniforms, jackets, hats, game-used bats, and memorabilia from “America’s pastime.” Artifacts from the stars of the major leagues make this exhibition is a “must” for anyone who loves the game.

 Participants are invited to meet at Casa Italiana at 1 p.m. and walk over together to the nearby museum, which is at 2^nd & Massachusetts Avenue, N.E., or they can go directly to the museum.

Italian Heritage Night at the Ballpark

Meanwhile, on September 27, 2022, the Washington Nationals are holding their first ever Italian Heritage Night, which is a special-ticket event. Thanks to the efforts of World Series-winning General Manager, Mike Rizzo, the Washington Nationals will be recognizing and honoring Italian heritage within their team and the community. Further information is available on the team’s website at https://www.mlb.com/nationals/tickets/specials/italian-heritage.

Please note the following disclaimer on the website:

Celebrate Washington D.C.’s Italian culture as we host our inaugural Italian Heritage Night! Show your Italian and Nationals pride by donning your Nationals-themed Italian Heritage Day promotional item, only available with a Special Event ticket. Full information regarding item pick-up will be emailed to all special ticket event buyers 24 hours prior to the game. This is a Special Ticket Event. To be eligible for any giveaway or experience associated with this promotion, special tickets must be purchased online from the link on this webpage prior to the event. Special tickets will not be available at the Nationals Park box office. Third party purchases will not include access to this event. Ticket brokers are not eligible for this offer. Tickets purchased via this offer shall not be re-sold. This promotion is subject to change without notice. All sales are final. There are no refunds, exchanges or cancellations.

September/October 2022

Mike DeBonis Now at Politico

AMHS members may recall that in July 2018, Washington Post reporter and fellow member Mike DeBonis gave us a talk on life as a journalist in the nation’s capital.  After reporting at the Washington Post for 12 years, including covering Congress since 2015, Mike has now started a new chapter in his career as he has just begun work at Politico, editing the Playbook newsletters. 

You can find Mike’s work at https://www.politico.com/blogs/politico-press/2022/07/15/mike-debonis-joins-politico-as-editor-of-playbook-00046039.  We wish him good luck in his new endeavor!

Mike is also well-known to many AMHS members through his family ties to our former President Omero Sabatini, and so Mike also traces his roots to the town of Secinaro in the province of L’Aquila in Abruzzo.  Mike lives in Washington, D.C., with his wife Dena and their two children.

On To Grad School

In the July/August Notiziario, we reported that AMHS member Joseph Anthony Scafetta III received his B.S. degree in mathematics with a minor in information technology at Marymount University in Arlington, Va.  Joey was admitted for graduate studies in the two-year Data Science Certificate program for the Fall 2022 semester at Marymount and began classes on August 29. The AMHS wishes Joey well in his studies.

AMHS Membership

A warm welcome is extended to: Natalie Lui Ducan, Michael and Elizabeth Iademarco, Ann Lamar, Angela Petruzzelli, Erin Powers, Roy Sambuchino, and Daniel Stump.

Birthdays
Compleanni a Settembre Mary Allegrino and Bruno Fusco, September 2; Richard DiBuono and Elissa Padula Sobolewski, September 3; Anthony Phillips, September 4; Sharon Callahan and Lina Marinucci, September 5; Corrado Dal Forno, September 6; Barbara Verdile, Richard Stonestreet, and Maria Marigliano, September 8; Aubrey White, September 5; Roger Galles, September 14; Rose Napolitano, September 18; Theresa Duncan, September 19; Joan Piccariello, September 22; Robert Verdile, September 25; Olimpia Micheli and Father Ezio Marchetto, September 27; David Gadren, Jeffrey Clark, Romeo Sabatini, and Maria LaVerghetta, September 29.
Compleanni a Ottobre Eugene Giammittorio, October 4; Elizabeth DiGregorio and Kirsten Keppel, October 8; John Paolantonio, October 10; Irena DiCarlantonio, October 12; Marco Dorsett, October 14; Guy Caruso, October 21; Sarah Scott, October 22; Antonietta McDonald and Louis Alfano, October 26; Thomas Stallone, October 27; Joseph Scafetta III, October 28; Teresa Forcina, October 29; Erin Powers and Roy Sambuchino, October 31.

Anniversaries
Anniversari a Settembre Teresa & Gianpiero Forcina and Sergio & Maria Fresco, September 3; Matthew & Amelia DiFiore, September 16; and James Brady & Mary Anne Re Scherer, September 8.
Anniversari a Ottobre Joseph & Mary Katherine Theis, October 3; Frank & Susan Bonsiero and Robert & Susan Baldassari, October 6; Aldo & Louie Anne D’Ottavio, October 8; Rocco Del Monaco & Eileen Parise, October 9; Alfred & Diana DelGrosso, October 14; Joseph & Rose Ruzzi Sr., October 19; Michael & Antonietta McDonald, October 28; and Salvatore & Anna Maria DiPilla, October 30.

Membership Information
Category                          # of Persons Associate (Couple):        3 x 2 = 6 Associate (Individual):    40 General (Couple):           50 x 2 = 10 General (Individual):       88 Honorary:                         10 Scholarship:                     2 Student:                            7 Total Membership:         254

September/October 2022

The small town of Altino is located in the province of Chieti on a rock spur at the foot of Monte Calvario, commanding a scenic view of the valley of the Aventino River. Situated along the Aventino valley, 12 kilometers from Lanciano, Altino rises along a small stream, the Rio Secco, which flows into the Adriatic a few miles away. The valley is richly cultivated with orchards of fruit, grapes and olives.  The town has approximately 3,113 inhabitants, known as Altinesi.

Legend has it that Altino was founded in 452 by Venetian refugees fleeing from Attila, who had burned the Roman military port in Altinum (known today as Quarto d’Altino).  But in fact, the origin of the village dates back to medieval times. The first mention in historical documents dates back to the 12th century. In the Norman era, Altino was a fief of Bohemond I of Antioch.

In the first half of the 15th century Altino belonged to the Lordship of Raimondo Anichino. The Anichino family held the castle until 1534. Later on, perhaps due to the extinction of the family, Altino came under Alvaro de Grado, Giovanni Vincenzo Crispano, the Tovo, Furia and Paolucci families. In 1861 and 1862, Altino was repeatedly attacked by brigands, and many families moved to Casoli and Chieti.

What to See

• Church of the Madonna delle Grazie, with a fine painting on wood dated 1355
• Parish Church of Santa Maria del Popolo, from the 14th century, with a rock massif
• Church of San Rocco
• Palazzo Sirolli
• Monumental Fountain from 1558
• Nearby Brecciole, a spring of sulphurous waters believed to have healing powers
• Nearby Lake Serranella

Important Dates

• May 15-16 – Feast of Madonna delle Grazie
• July: Historical re-enactment of threshing, with a parade of rural tools of the past
• Last weekend in August – Festival del Peperone Dolce di Altino e dell’Oasi di Serranella
• September 26-27 – Feast of Saints Cosmo and Damiano.

       

Italiano

   

Tradotto da Ennio Di Tullio

Provincia di Chieti, Regione Abruzzo

Il piccolo comune di Altino è situato in provincia di Chieti su uno sperone roccioso ai piedi del Monte Calvario, dominando una vista panoramica sulla valle del fiume Aventino. La valle è riccamente coltivata a frutteti, frutti, uva e olivi. Il paese conta circa 3.113 abitanti, detti Altinesi.

La leggenda narra che Altino sia stata fondata nel 452 da profughi veneziani in fuga da Attila, che avevano incendiato il porto militare romano di Altinum (oggi noto come Quarto d’Altino). Ma in realtà l’origine del paese risale al medioevo. La prima menzione nei documenti storici risale al XII secolo. In epoca normanna Altino fu feudo di Boemondo I di Antiochia.

Nella prima metà del XV secolo Altino appartenne alla Signoria di Raimondo Anichino. La famiglia Anichino tenne il castello fino al 1534. Successivamente, forse per l’estinzione della famiglia, Altino passò sotto Alvaro de Grado, Giovanni Vincenzo Crispano, i Tovo, Furia e Paolucci. Nel 1861 e nel 1862 Altino fu ripetutamente assalito dai briganti e molte famiglie si trasferirono a Casoli e a Chieti.

Situato lungo la valle dell’Aventino, a 12 chilometri da Lanciano, Altino è adagiato su un crinale montuoso a sinistra del Sangro e a destra del fiume Aventino. Altino sorge lungo un piccolo ruscello, il Rio Secco, che sfocia nell’Adriatico a pochi chilometri di distanza. Da questo piccolo paese si può godere di una vista incredibile. Il fertile territorio è ricoperto da vigneti e uliveti, e in pianura vi è una ricca produzione di frutta.

Le attrazioni del luogo:

• Chiesa della Madonna delle Grazie, con pregevole dipinto su tavola del 1355
• Chiesa Parrocchiale di Santa Maria del Popolo, del XIV secolo, con massiccio roccioso
• Chiesa di San Rocco
• Palazzo Sirolli
• Fontana Monumentale del 1558
• Nelle vicinanze di Brecciole, sorgente di acque sulfuree ritenute dotate di poteri curativi
• Nelle vicinanze Lago Serranella

Date da ricordare:

• 15-16 maggio – Festa della Madonna delle Grazie
• Luglio: Rievocazione storica della trebbiatura, con sfilata di attrezzi rurali del passato
• Ultimo fine settimana di agosto – Sagra del Peperone Dolce di Altino e dell’Oasi di Serranella
• 26-27 settembre – Festa dei Santi Cosmo e Damiano.

Sources:

https://en.wikipedia.org/wiki/Altino,_Abruzzo https://www.italyheritage.com/regions/abruzzo/chieti/altino.htm https://www.yesabruzzo.com/altino

September/October 2022